If you are one of those who missed out on the matinee show at Ten02 last Sunday (like I did, heehee), there are many more dates to catch Andy Deported and The Outsourced. Tonight is one of those dates.
They will be at B-Side The Collective located at Malugay St. in Makati. Was talking to someone about this, the place not fully registering in my head until I finally remember that this is the warehouse type place akin to Cubao X. Exact address is 7274 Malugay St. Makati City. Malugay St. is parallel to Buendia. If you are taking public transportation, you can probably get off at Mayapis St. (the street nearest to the railroad tracks if you are coming from EDSA) then walk until you hit Malugay. If you are driving, turn right to Pasong Tamo, then to Yakal, then to Mayapis, then finally to Malugay St.
Entrance is free, people, if free gig is your incentive. See you guys laters. Hai!^^
Get to know Andy Deported and The Outsourced here.
*****
Aaaaaaah! Stay tuned for more updates, including...T.S.A.'s Danish campaign this September! Woohoo!
Monday, August 23, 2010
The Andy Deported Gig Series
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Labels: Andy Deported, B-Side, T.S.A., The Collective, The Outsourced
Sunday, August 15, 2010
Life Is Good, Yes! As Long As You Give It A Relentless Punch On The Kisser, Life Will Eagerly Lick Your Ass Like A Dog Would
Oh, that was a trifle long title, wasn't it? Heheh.
Heya people, hello again. So many things racing in my mind these past days that I actually forgot to bring batteries for my camera last night. Isn't that stupid? A good number of gigs took place last night, and I was at Sazi's Bar for the regular Rude Maynila Sessions. (The photos here are old ones, har har)
Here are some discoveries, nuggets of thoughts, and situations answerable by "yes definitely", yes, maybe", or "yes, hindi ko naintindihan":
1. It was the last performance of Tolonguez Death Squad ... and a new punk group is to rise from the ashes.
Must be true. Towards the last song, the ever-energetic Odel announced, "Last song na namin, last gig (or something to the effect)". I really enjoy watching Tolonguez and their frenzied style. Will be watching for the new band to arise.
2. Hilboy of Bisikleta Productions will be out of the country for 2 years.
It's true. He will be in Vietnam for an employment gig. But Bisikleta activities will go on, according to him, which is good news because this is proof that the scene, just like life, is a series of young blood taking over while the the more senior members of the society move on to higher endeavours.
3. Pink Cow will be having an album soon.
Can't wait. These boys have the chops and the attitude. And they do deserve a write-up. Really soon. Just give me time. :)
4. The Outcome is from the ashes of T.R.A.
The Outcome performed, doing originals and, hm, The Ramones. Great going, lads.
5. I was given a free copy of SMB EP.
Salamat ng marami sa SMB. I am proud of you guys. For those who have not gotten a copy of the EP yet, it's as simple as attending any Rude Maynila event or pestering one of the SMB guys. A copy is worth a measly PHP120.
Plus, meetings with great friends, a little chit-chat here and there. Which then brings me to the 6th item.
6. Trash Radio Manila's future ... remains unwritten...
...but doesn't everyone's future remain unwritten? I think I owe it to my readers to explain that, much as really want to update the blog on a regular basis (and I really try my darn best), sometimes I could not really make it. In these instances, I ask for your patience and understanding.
It's been more than 2 1/2 years since Je and I started Trash Radio Manila, and it amazes me to this very day how the blog somehow manages to gain regular readership and patronage. Writing "Thank You" is not enough, and I always have this in mind. Just the same, "Thank You", friends, and keep the passion burning.
We dance to the death.
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Labels: Bisikleta Productions, Pink Cow, Rude Maynila, Steady Movin' Beat, T.R.A., Tolonguez Death Squad
Saturday, August 7, 2010
The Asian Take on Oi
Some months ago, Jan (Shuffle Union vox, certified Pauline Black fan, certified doting momma) gave me a copy of "Skinhead! It's An Asian League", a compilation of Oi compositions of bands from various countries in Asia. This collection is a recent release of Japan's Bronze Fist Records which has been in existence since the mid-90s and is still going strong. Included in the album is The Mighty Contras, the lone band to represent the Philippines.
I would not really want to delve into the technicalities of the definition of Oi in this post. I am quite sure some quarters will be asking, what is real oi anyway? Corollary questions, mostly unpleasant, are bound to ensue. So, no, I would rather that you guys do your own research. Suffice to say that as far as the sound is concerned, I am aware that Japan produces great Oi tunes this side of the world. Apparently, Bronze Fist would like to show us something else: that the rest of the Asian nations can do Oi as well.
The guys may be right, after all. Which is why I decided to mix some cuts from the compi for your consumption. The playlist is as follows:
1. BOOTED COCKS (Osaka, Japan) - The Age
2. THE END (Jakarta, Indonesia) - Skinhead Pride
3. THE MIGHTY CONTRAS (Manila, Philippines) - Skinheads On A Rampage
4. HAIRCUTS (Bandung, Indonesia) - Merdika
5. THE RUCTION (Singapore) - Rage & Anger
(Intro is snatched from The Chronicles Of Sarnia off Final Fantasy)
Where can you guys get a copy of the album? You can probably get in touch with the boys of The Mighty Contras in their MySpace site here. better yet, go get in touch with Bronze Fist Records. I must say, commendable effort. ^^ Go get your copies and find out for yourselves.
*****
Has the erratic weather rubbed on you? You people take care of yourselves and of your health. Be happy, be safe. See you around, folkies.
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Labels: Bronze Fist Records, The Mighty Contras
Monday, August 2, 2010
Exploring New Blog Features, Making A New Playlist, Updates Galore
Time to make some changes, explore the features of Blogger, and essentially update. Kumusta na kayong lahat?
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Labels: T.S.A.
Wednesday, July 28, 2010
Missing Out On A Lot!
As a result, I missed out on a good number of events.
I missed Steady Movin' Beat's EP launch.
I missed MAIM's gig in Parañaque.
And, ugh, I missed Carburetor Dung's gig.
So, let me just post this video courtesy of underground fixture Jep Peligro. Thank you in advance, sir, for this one.
So many gigs this month. Check the siderail for the posters. See you around.
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Labels: Carburetor Dung, Jep Peligro, MAIM, Steady Movin' Beat
Thursday, July 8, 2010
Steady Movin' Beat: It's About Time
This Saturday's Rude Maynila will feature Steady Movin' Beat as the main act, on the occasion of the release of the band's first recorded material. Yes. At last.
I was reading Hilboy's blogpost about Steady Movin' Beat (or SMB). As I was doing so, I found myself walking by memory lane.
**********
Somewhere in Kalookan, around six years ago. SMB was a lot different from what it is today. For one, the people doing vocal chores were Hannah and Nikoy. Mateo was playing one of those wind instruments. I think it was Nikoy's birthday, and we were at the rooftop of his house. Nikoy's mother was constantly asking if we have eaten adequately. Je and I, the gourmands that we are, were not complaining. The band plowed through a handful of ska staples, some of which were A Message To You, Rudy and Guns of Navarone. Then Hannah took over, and soon enough strains of a familiar tune came off the keyboard.
The kids just have to cover the song. It was Put3ska's "Absolute", a song that makes me melancholic to this very day. That night, however, "Absolute" was a a joyous ditty, not a bit somber.
It's remarkable how ska has caught the fancy of the kids, I remember telling Je. Of course, the statement was rhetorical. I knew who the suspects are....
**********
It is not a secret that SMB got their name from the lyrics of a Put3ska song. (C'mon, need I tell you what?) I may be wrong though. *guffaws*
SMB gained substantial exposure through Skama
x, the so-called younger brother of Clubska Manila. Skamax used to hold gigs at Freedom Bar in Anonas St., Quezon City. At times, it would be at the now-defunct Millenia Bar over at Kamuning. Je and I would try to catch the gigs, but most of the time it would be just Je attending while I languished at work somewhere in Makati. (LOL!)
Kolumn Bar then opened, providing a bigger venue for the rudies. I believe this was the time when SMB was evolving. Their line-up started changing, they were trying to find their groove, their angst. Most of the time they were playing alongside more experienced bands, and they would have their bad hair days. It happens.
As with any up-and-coming bands, I have always believed that all it takes is time, and patience, and perseverance. So one day, Je called me to listen to an mp3 of a quirky, upbeat song about the banal life of being in the office.
Sounds good, no? He asked. I nodded promptly.
the song was "Corporate Fool" by Steady Movin' Beat. There it is, I thought. The promise. The only thing needed now is the extra push.
**********
Fast forward , a few years later. Mateo has taken over vocal chores. By this time Steady Movin' Beat is made up of Dennis, Oliver, Janelle, Paulo and Mateo. They performed as often as they can especially on gigs produced by Bisikleta productions. They sound a whole lot tighter and more engaging, never failing to get the crowd skanking whenever they play on stage. Je and I were witnesses to this remarkable evolution. I knew he was impressed. Who wouldn't?
Now that SMB is finally releasing their EP, I can only say: It's about time. Your patience and perseverance paid off handsomely, and it is your time to get the crowd skanking.
Congratulations, lads.
(Photo of old SMB from their MySpace site.)
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Labels: Bisikleta Productions, Clubska Manila, Skamax, Steady Movin' Beat
Saturday, July 3, 2010
From Punk To Hunk? Or Is It Punky Hunk? Or Hunky Punk?
Whatever. We all know this affable guy anyway.
I am supposed to write about something else, but I just have to write about this. Today's issue of The Sunday Inquirer features Tame The Tiklbalang's Russell Eustaquio, and a few things about some of his passions in life, like punk and hardcore and physical fitness.
Could have sworn though that this is also another way of showcasing Russell's most prominent physical features: his tattoos. :)Fantastic cover photo. Try to find yourself a copy if you can.
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Labels: Russell Eustaquio, Sunday Inquirer, Tame The Tikbalang
Friday, June 25, 2010
Keb Daaaarrrrrge!!!
Keb Darge did a series of sets two weeks ago, and a post may be quite late in coming. It is such a waste, however, not to write about Keb, and his great set, and the fantastic night that I had over at Ten02 last June 11.
My first encounter with Keb took place last year, at The Coffee Bean And Tea Leaf coffee shop, of all places. I remember quite well the conversation he had with Je (Or was it Je who related excerpts of their conversation with me? I cannot remember anymore.). Keb's style of playing is straightforward and he does not indulge much in sound manipulation and loops and such. It is all about in-your-face music.
Two weeks ago, Keb did a couple of sets: I was at the Ten02 leg of his series of gigs. His repertoire was a rousing mix of northern soul, garage, and rockabilly, with some classics (Tutti Frutti, Johnny B. Goode) and recent tunes (Little Lil). Most of the audience responded with equally rousing dance moves (hahah!) At one point, Keb, the dancing master that he is, went down the DJ platform and danced to his heart's content. Guess who took over the turntable that time?
Keb's set was preceded by sets courtesy of Neighbors, Juan Pablo Dream, and Steady Movin' Beat, and the event was hosted by Bisikleta Productions' Hilboy and Neighbors' and Soundblasters' Jon Capistrano. By sunrise, the event was over. Or was it? Rumor has it that Keb will be back once again before the end of the year. An event with Keb is always enjoyable, never mind that he twirled the head off my neck as he attempted to make a dancing queen out of me. (Uh-oh, apparently I am not a very deft dancer like him and Bing.) Thank you Keb for the great moves, great music, and great time. As the great modern philosopher named Gonzales once said: I haven't stopped dancing yet. (Heehee!) Laters y'all!
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Labels: Juan Pablo Dream, Keb Darge, Neighbors, Soundblasters, Steady Movin' Beat, Ten-02 Bar
Sunday, June 20, 2010
Happy Father's Day
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Labels: Father's Day, World Cup
Friday, June 11, 2010
Ngayon, Ika-12 ng Hunyo, ay Araw Ng Kalayaan
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Labels: Araw ng Kalayaan, Independence Day, Maria Clara dress
Independence Day 2010: Muli, Ang Paggunita Sa Araw Ng Kalayaan
Patawarin ninyo ako kung magsusulat ako sa aking sariling wika at hindi ninyo ako maiintindihan. Sa aking palagay ay nararapat lang na sa pagkakataong ito na malapit na ang araw ng kalayaan ay magsulat ako sa salitang sariling akin (sa pagkakataong ito, magsusulat ako sa Tagalog dahil ito ang pinakaalam ko at hindi dahil may kinikilingan akong diyalekto).
Pero, tama na ang mga mabulaklak na mga salita. Nakaugalian na namin sa Trash Radio Manila na maglabas ng isang programa ng mga awiting Pinoy. Ngayong taon, eto ang aking handog. Hindi ako sumablay, hahah! Kasi naman, ispesyal ang pagdiriwang na ito ng Araw ng Kalayaan. Magtatapos na ang halos isang dekada ng pagkapangulo ni Ginang Arroyo, at ang masasabi ko lang ay ...
Hay salamat.
Hindi maikakaila na marami pa rin ang naniniwala sa demokratikong paraan ng pagpili ng ating mga pinuno, at marami pa rin ang umaasa na magbabago ang Pilipinas, na may pag-asa pang magamot ang mga karamdaman ng ating lipunan. Sana nga ay magkaroon na ng pagbabago. Hindi madaling gawin ito. Palasak man ang mga salitang ito, subalit kailangan pa ring maging mapagmatyag, mapagmasid, mag-isip, gumalaw, bantayan ang ating kalayaan. Tayo rin ay nangangailangang maging mapagsuri ... maging ng ating mga sarili. Ano ba talaga ang ating pakay sa buhay?
Narito ang listahan ng mga awitin. Palagay ko, di na kailanagn pa ng pagpapakilala sa mga banda. Naisip ko lang, di ko pa pala napapatugtog rito ang Cocojam at Indio I. Sana ay maibigan ninyo ang mga ito.
1. Lady I - "Freedom Intro" [Siya rin si Irene Tengasantos, anak ng mag-asawang Chong at Chang ng Reggae Mistress.]Mabuhay tayong lahat! Kita kita sa tugtugan.
2. ETHNIC FACES - "Balikbayan"
3. COCOJAM - "batang Maynila"
4. COFFEE BREAK ISLAND - "Pakikinggan"
5. PINKCOW - "Changes (Justice Not Politics)"
6. INDIO I - "Mag-Ingay" [Kasama sa mga nagsulat at umawit ng awiting ito sina Myra Ruaro a.k.a. Skarlet at Bing Austria ng Juan Pablo Dream]
7. INDIO I - "Harana"
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Labels: Araw ng Kalayaan, Cocojam, Coffee Break Island, Ethnic Faces, Independence Day, Indio I, Lady I, Pink Cow
Sunday, June 6, 2010
Thoughts On An Incomplete Rainy Tuesday: Incomplete 2, Route 196, June 1, 2010
There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pool singing at night,
And wild plum trees in tremulous white;
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree,
If mankind perished utterly;
And Spring herself when she woke at dawn
Would scarcely know that we were gone.
- Sara Teasdale, "There Will Come Soft Rains"
Perhaps the end is indeed near. The weather has gone way haywire. Hot and dry to hot and wet. Temperature reaching 40 degrees Celsius. Then suddenly, acid rain. I thought of Sara Teasdale's apocalyptic poem, written way back 1920, as I was lingering on the sidewalk fronting Route 196, the site of the Incomplete Part 2 gig, last Tuesday, June 1, 2010.How would you like to go, supposing that the red Tuesday night sky fall on you right that moment? My mind was playing morbid tricks on me. To this question I had a quick and equally morbid answer: I would like to go with a smile. (Pasintabi kay Joker, I borrowed that line from him. Hahah.)
I was in the right place, if that is the case.

It was a warm and pleasant night. And it was not just an acoustic night, for the gig featured the frontmen of some of the most prominent bands in the underground scene (Throw, The GoSignals, Shuffle Union, Coffee Break Island, Shoulder State, SDK). In spite of the rains, people came in, most of them arriving towards the middle of the show. Francis Aguilar opened the show and did the hosting chores. Albert Ascona came next, followed by Al Dimalanta, who played four songs despite the coughs and colds. (Tenacious!) Rio Vargas did a charismatic set, after which Mel and Dennis Maniego of The GoSignals provided the crowd with their brand of mod. Mae of Shuffle Union placed the audience on a trance with her magical voice, while Paul of Coffee Break Island was Mae's perfect foil, his raspy voice tearing the damp early morning air apart.Jonas Pares (or fondly called Alkaline Duo, which is none other than Kyle and Spyk of SDK) played as well, taking over the slot of Arnold Morales who was not able to make it that night.
[Route 196, like Ten02 Bar, serves good food. I just have to say this.]
Oh, ok. Obviously, the end of the world has not come yet. The apocalypse can wait another day. But never mind. I still went home with a smile on my face.
More on this slide show:
****
Wow gigs!
Check out the siderail for upcoming gigs. Keb Darge is, finally, here in Manila, after being derailed by the nasty ashfall from an Icelandic volcano. He is slated to perform on Friday, June 11, 2010 at Ten02 Bar. Yay! Don't miss out on this one.
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Labels: Al Dimalanta, Albert Ascona, Coffee Break Island, Francis Aguilar, Incomplete, Jonas Pares, Maren Mae Ilagan, Paul Puti-an, Rio Vargas, Route 196, Shuffle Union, The GoSignals
Tuesday, May 25, 2010
Defy The Tragic End: Dissecting The Beauty Of Doubt New EP (Dissection Courtesy Of Filter Zine's Femme Fatale)
Two Saturdays ago, I forgot that I am not a superwoman. I had planned to initially check out Rude Maynila: Ikalawang Yugto at Sazi's Bar before going to the launching of The Beauty Of Doubt's new EP over at Ten02 Bar. While I was able to show up at Bisikleta Production's comeback gig (fun as always), I failed to catch The Beauty Of Doubt play, which is such a shame because the person who pitched in for semi-retired TBOD guitarist Albert Ascona was none other than Boyet Miguel of Tame The Tikbalang and Betrayed fame.
How could I have missed that awesomeness? The crowd was present but was about to disperse when I arrived at Ten02 at a little past 12 midnight. I was told that 3 (or was it 4?) bands originally slated to play did not play that night, and so the whole gig was finished earlier than expected. I grabbed a copy of the new EP (100 bucks lang po) which contained takes of the singular theme "Just Matter".
Now Mina, a.k.a. the main person behind Filter Zine, has written a rather riveting review of the EP. Mina is herself a riveting writer: I personally enjoy reading her works. I have asked her permission to reprint her review and she agreed. Now here it is: read on. It is probably the closest thing to having a copy of the EP, which I strongly suggest that you get a hold of as soon as you can.
JUST MATTER (EP)
All songs by The Beauty of Doubt
Album artwork and design by JL Burgos
Produced by Counterflow Records
The strum of the guitars and blast of the drums stopped abruptly. I found myself staring at the monitor for a minute or so. I couldn't say a word. I couldn't move my fingers to type anything. The past minutes since I loaded the cd to the player gave me flashes of unending walks in chaotic streets under the blazing tropical heat with people shouting and I,wanting to shout in unison with them. As soon as the music stopped the silence felt deafening. I was emotionally struck.
Just Matter is 10-minute journey of looking at our own lives: how we lived it, how we will spend the rest of it. The sense of reflection and aggressive delivery of the lyrics will have listeners relate to any one, if not all, of the three songs.
"Are we just matter floating
like tiny specks of dust
in an eternity of space?
Are we just matter with no
bearing on anything
devoid of purpose or meaning?
Are we just matter floating
towards a tragic ending?
Are we just matter
destined for a tragic end?"
The past months I would jokingly say that I am having a "premature midlife crisis" (or quarterlife crisis... if ever there is such a thing). Major changes in relationships had caused me to take a better look at my life and things I had set aside to live in acceptable standards. (Are We) Just Matter was able to sum up how discontended I feel of myself and how I had lived the past 27 years. I think most of us comes to a point the same as this. And that people get to have a realization that they are just travellers and this idea urges them to take a bigger, heavier step and leave a mark. Personally I think this makes the idea of death quite acceptable.
"No. I won't spend another day
in this void existence.
And I won't waste another breath
living a fettered life.
And I won't let myself
submerged into nothingness.
No. I won't waste my life."
(We Should) Just Matter is a response to the sense of living in idleness expressed in the first track. It is the second stage wherein after one had identified what's lacking, he'd come up to a decision and start putting such decision into action. The heavy riff definitely adds to the lyrics sense of taking a stand. The band may have (or may not have) the full intention of expressing the levels of consciousness: raising awareness, mobilizing, organizing. But regardless of personal or political ideals, one would relate to this because TBOD voices out questions that we all have lingering inside our minds.
"All the courage you have shown
the seeds that you have sown,
may it grow in all of us.
And when they took you away
into uncertain fate,
we still hope you come home safe
and that they pay."
(A) Just Matter is a tribute to all Desaparacidos (people who chose to "matter," as Ron would say it). Personally, this is the most shattering song in the EP especially for someone who may have a family, a friend or had simply been acquaintted with someone who had been a victim of political killings or political-related injustices. TBOD had included names of Desaparacidos at the ending part of the song and the mixed sadness and anger in it can make one shout along with the line "Surface them now!"
Overall, Just Matter is a three-staged travel. Sit back and close your eyes. Move and shout in full hardcore madness if you feel like it. Then right after the journey, open your eyes into a different perspective.
*****
For more on Mina and Filter Zine, you can click on the link HERE.
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Labels: Boyet Miguel, Filter Zine, Just Matter, Rude Maynila, Ten-02 Bar, The Beauty Of Doubt
Tuesday, May 18, 2010
Paalam, Daddy Malcolm
Ang tao nga ba ay isa lamang numero?
Kahalintulad ng mga tala sa pisngi ng kalangitan.
May mga bituin na nabinyagan ng maririkit na pangalan,
mga bituing magaganda sa ating paningin...
Subalit mas marami pa sigurong mas magagandang tala
na kailanman ay hindi magiging abot-tanaw,
sa ating kamalayan, isa lamang silang
numero.
Ano ba ang kahulugan ng kamatayan ng isang nilalang
sa kabuuan ng sangkatauhan?
Napakaraming tao sa sandaigdigan para maunawaan ko silang lahat
at angkining bahagi ng buhay ko.
Ano nga ba ang bahagi mo sa buhay ko,
Manong magsasaka sa hilagang Tsina,
Mamang mananayaw sa Nuweba York,
Manang misyonaryo sa puso ng Aprika,
Aleng kumakain ng keso sa Kanlurang Pransiya....
Ano ang saysay ninyong lahat sa buhay ko?
Kung sasabihin ko, "Wala,
Hindi ko kayo nakikilala,
hindi ko alam ang buhay nyo, pati na ang
pangalan nyo",
Marahil nga, marahil nga,
Ang bawat isa sa atin ay isang numero.
May takdang panahon ng kapanganakan,
May takdang panahon ng kamatayan.
Subalit...
Ayokong maniwalang ang mga taong mahal ko ay
mga numero lamang.
Para sa akin,
higit pa sila sa mga naggagandahang bituin na
bininyagan ng mga siyentipiko.
Para sa mga taong mahal ko,
Aangkinin ko, pati ang pagkakilanlan ng mga taong
kailanman
ay hindi ko makikilala,
huwag lamang silang tawaging
isang numero lamang.
(Hindi po ako manunula, pero naisip ko lang isulat ito. Inspirasyon ni Daddy Malcolm, pati na rin ng usapin kahapon tungkol sa pagyoyosi at pag-inom ng kape ng karamihan sa mga manunulat.)
*****
Ernesto Basa Dimalanta
a.k.a. Daddy Malcolm
(1927-2010)
Katuwang na poste sa The Last Song Syndrome.
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Labels: Daddy Malcolm, Pinoy Punk
Wednesday, May 12, 2010
Post-Election Gigs Gigs Gigs
Two interesting gigs will be held this coming Saturday, and I advise that you guys check them out, as part of your "post-election" to-do chores (haha).
(Of course, that does not mean that you are letting your guard down. Every Filipino's task right now, after having made a choice last Monday - voter or abstainee - is to be vigilant.)
The first gig is the EP launch of The Beauty Of Doubt which will take place at Ten02 Bar. This is a gig worth watching since Boyet Miguel of Tame The Tikbalang and Betrayed will be performing guitar chores for the band, aside from the fact that TBOD has not had a release in a while.
The second gig is Rude Maynila Ikalawang Yugto by second-time balikbayan Hilboy of Bisikleta Productions. This will be held at Sazi's Bar in front of UST. You may catch any one of these gigs, or be present in both ... your call.
Also worth mentioning (although this one will not happen this Saturday, but on Wednesday next week) is a not-so-frequent chance to see Bane live. The gig will take place in Balibago Complex in Santa Rosa, Laguna on May 19. It is strongly suggested to get your asses down South at the first opportunity to see this hard-hitting hardcore group.
See you at the gigs!
(... and please ... when you get to the gig (or anywhere else for that matter), please please bring something to cool you down, like a fan, or mineral water or drink, or a face towel. The summer heat can take a serious toll on one's hydration status, so please, take care of yourselves. Be safe, everyone.)
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Labels: Bane, Bisikleta Productions, Presidential Elections, Rude Maynila, Sazi's Restobar, Ten-02 Bar, The Beauty Of Doubt




















