BELIEVE: Throw's Third Album Launch (Saturday, 23 January 2010)

If you were present during the launching of the previous album, Unwavering, you may have probably noticed that last Saturday's affair at the Leprechaun Bar was more sober. It is not a bad thing to be one, though. There may be some reasons for it.

Perhaps, one of those reasons is that January 23 also happens to be the birthday of the late Jay Dimalanta, brother to Throw vocalist/guitarist Al and bassist to the legendary punk band Dead Ends. Or maybe the people were just a little tired and spent from the week's travails. Or maybe, wala lang, I think too much, haha.

Sobriety, however, renders little consequence to the sound of Throw's newest album. Believe is not sober, and Throw is definitely a non-complacent band. Al, together with his crew is, and will always, bite, so to say. Their songs hit the midsection always, and takes a constant, painful stab at politics and the society. The album is dedicated to the memory of three local punk luminaries who have passed on to hardcore nirvana: Jay Dimalanta, of course, Luis "Weslu" Guiang, and Je Bautista. Believe, like the other Throw albums, is, contrary to popular thought, a team effort: Spyk co-wrote Choose and Believe (a very strong track), Dennis was credited for penning Eleksyon and Borrowed with Al, and Albert of course wrote Six and co-wrote Warlord and the Zappa-inspired Screw Yourself.

(But hey, why don't you just pick up a copy of the album? I am meaning to write about the gig.)


I got in just in time to see Talk Sick, the Malolos-based hardcore outfit. (Sorry po, Against Man, I like you guys, pero na-late lang ako, di ko kayo napanood.) Talk Sick does not just rip through their set, the band actually groove, if one listens close enough. I made a mental note to play Talk Sick in the playlist sometime soon. They were then followed by Staid, the hardcore band whose members come from groups such as Half The Battle and Choke Cocoi. I personally admire the efforts of these two bands, as well as the rest of those who endeavour to go outside their homebases to play, and the same thing goes to the audience who support the bands wherever they are. It is the best that one can offer to bands who do not, and will likely never, get the support of popular media.

Spyk's young band SDK (with Dennis Maniego as proxy bassist) followed. Not long ago, Spyk was a gangly teener who just smiled as he banged the drumkit. He still smiles, as if playing the drums is a breeze, but he is definitely getting more and more formidable, and is fast turning into a...heartthrob! (Sounds funny? Wait till you see the giggly girls at the sideline whenever he plays.)

Tame The Tikbalang is one band that I really love for its consistency and competence and I am happy that they are still around and continue to play like demons. No obvious signs of aging so far.

It is good that The GoSignals finally started to play their originals on a regular basis. I am paying a close watch on the band's first album release.

Goo played too. It was a blast to see them cover some Descendents. I saw the crowd liven up and sing along, including, of course, Throw guitarist and unabashed Descendents fan Albert Ascona.

Then it was Throw's turn.

What can I say?

If I talk further, it will be my heart talking...

A somewhat sober night indeed, but still great. My heartfelt congratulations to Spyk, Dennis, Albert, and Al.

And the best way to end the launch? Nekbu!

Till the next album launch! Yay! Yay!

Throw's Third Album Launching This Saturday! Yay! Yay!

Ninety percent of the time, I am the usual observer, the one to make comments, the person who is never too impressionable. Not exactly jaded, just not wont to rave quickly over matters and people.

Thus, it is unlikely that I resort to lick-ass (pardon the dirty term) tactics just to earn the good graces of people that I respect or admire. This I say as a general rule.

Sometimes, however, I turn into a little fangirl (still without the ass-lick predisposition, please note) ... like right now. It cannot be helped. To fully appreciate a craft such as a beautiful song or an iridescent voice, one has to listen, not only with his ears, but with his heart, mind, and soul.

It is therefore with my heart, mind, and soul that I appreciate the artistry of Al Dimalanta, and the people who make up Throw, as well the people who were once part of Dead Ends.

Which is why I am very excited about Throw's 3rd album launching this coming Saturday, January 22. It's been more than a year since Throw launched their second album (we wrote about it here) Unwavering. The featured song is Choose, a song written by Al and emerging wonder drummer boy Spyk Maniego. Do come over to Leprechaun Bar tomorrow, see Throw live (check out the poster for details), and pick up their CD. I should stop blabbering now and let the song speak for itself, yes? See you at the gig.

Days Like These (The Horse Of Yokaba's Metal & Hardcore/Punk Nite!, November 28, 2009, Saturday, Leprechaun Bar, QC)

The year 2009 is above to come to a close, consequentially ending what Time Magazine calls "The Decade From Hell". Of course, this is relative, with the article citing disasters of various forms that had hit mainly America and, eventually, most part of the world. The Philippines, for one, did not fare any better, and for a time the running joke within many circles was that our poor country cannot be hard hit by global recession, simply because our economy has long been in recession in the first place.

[Photo at right is from the TIME website; please click here.]

So when someone from another dimension said in a good friend's dream that "Hell is overrated", I can almost believe that this statement was actually uttered and was not just a figment of a grieving person's imagination. Hell is overrated, indeed: this probably is the closest thing to hell for the majority who live far beyond their means.

However, it cannot be all that bad.

Sometimes all we need is just to sharpen our vision. When we do not see anything, we sharpen our reflexes. And then rely on something we call faith.

The music scene, too, went through really hard times, no thanks to information overload and lack of inspiration. (For instance, many of these bands on mainstream sound alike. Worse, I just do not dig the uninspired covers of songs being done left and right.) The scene is starting to lose the stalwarts, and definitely it needs more than just faith to keep the candle burning....

Gigs like Yokaba's Metal & Hardcore/Punk Nite and proponents like Boyet Miguel continue to keep the scene alive, and we need more...

More inspiration, more movers, more sustenance, more involvement....and the list goes on.

Anyway, enough with the rant. Some of the bands that played last Saturday at the Leprechaun Bar were West (which I did not get to see), Mihara (I swear these guys are really better heard live: they are solid.), DOA, Bad Omen, Piledriver, Tame The Tikbalang, and End Of Man. Below are some photos. It was a well-attended affair, and food and beer at my side of the table was, well, near overflowing. (Salamat, Romel!)

Mihara

DOA

Bad Omen

Piledriver

Tame The Tikbalang

End Of Man

More gigs coming up, I do keep the siderail updated with gig posters for the most part (heehee). Kitakits!

The Weekends That Were

Waaaaaaah!

The wailers: Dennis Maniego, Albert Ascona, Jun Quiane, and frenzied pair during T.S.A.'s gig over at the Leprechaun Bar, September 18, 2009

I sure missed a lot these past weekends. Though I was lucky enough to catch the fantastic T.S.A. during the September 18 gig at the Leprechaun Bar sponsored by Filter Zine (Huwaaaaaaat? Antagal na pala? Shame shame. :( ), I missed the Bisikleta-sponsored T.S.A. sortee at Ten02 bar. Yes I also missed the Tarlac gig last October 10 (featuring Throw, Tame The Tikbalang, Bad Omen, and a whole lot more, my apologies for not having posted the poster, very very sorry), and I friggin' missed The Bing Austria Show the day after and the "Picking Up The Pieces" fund raising gig last October 12. Please don't ask me what has happened to me these past few weeks, it is something very very horrendous and not worth sharing here. (Sob sob sob, I sure hope to get over this year in one piece, I seriously do!). Suffice to say though that while things were battering me up to pieces (grrrr...), all seems to be alive and thriving this side of the music scene.

Will be posting my backlogs real soon. Below are some photos taken from T.S.A.'s Leprechaun gig and the October 10 Tarlac gig. (Thank you so much to Mina for the incredible photos of the Tarlac gig. Are you the female Andy Rosen? :))) )

T.S.A., Leprechaun Bar, September 18, 2009

Ojie of T.S.A.

Pedrobandido, T.S.A.

T.S.A. with Arnold Morales doing "Blood In Every Heart"

Throw with Ojie of T.S.A.

Tarlac, October 10, 2009

Russell Eustaquio of Tame The Tikbalang

Jun Idiot

Jun, Boyet, Al, Russ, Albert

Tarlac Kids

T.S.A. Fest This Weekend!

Our Pinoy hardcore friends from Singapore will be playing on Friday, September 18, at the Leprechaun Bar and on Saturday, September 19, at Ten02 bar. This is a rare chance for you guys to see Bimboi, Pedro, and Ojie play together in Manila because, for you to see T.S.A. play, you have to be living or flying over to Singapore, where the boys are currently based.

We here at Trash Radio Manila have always raved at how T.S.A. play, for a good reason. These guys are fast and fierce, yet melodic at the same time. Just to let you know what to expect this weekend, do listen to these tracks off their Break The Silence album.

1. Abusive Authorities - T.S.A.
2. Lie To You - T.S.A.
3. Wala Nang Mura - T.S.A.

Want more? Here's a video clip from YouTube showing T.S.A. captured live at The Guiness Theatre in Singapore. Really steady playing there. T.S.A. will be supported by equally able and larger-than-life bands such as Throw. (Check out the posters.) See you guys at the gigs this weekend.

Tonight...and 7 Nights Ago

Huli man at magaling ... huli pa rin!

I am putting up some photos from Try This At Home's gig last Saturday, July 18, held at the Leprechaun Bar, which featured The GoSignals, Hilera, and Coffee Break Island.

The GoSignals

Hilera

Coffee Break Island

Try This At Home is, as far as I know, a two-man production composed of Russell Eustaquio (Tame The Tikbalang fame, shown in photo at the right) and Albert Ascona (guitarist to a myriad bands). TTAH is a welcome addition to the productions in existence, as it provides another venue for bands to play and people to appreciate music that's apart from the run-of-the-mill stuff that I no longer have to enumerate. [Bashing is something I consciously try to avoid here in TRM ... if you've nothing good to say, then don't say it....]

Anyways, we'll definitely hear more from TTAH in the days to come.

Now for tonight. The First Manila Ska Festival also happens to be the final leg of Shuffle Union's Invincible Album Launch Tour. The affair starts as early as 3pm via a photo contest/exhibit. Gig starts at 7pm. It might interest you that after a longish absence, the hyperactive Jeepney Joyride is back and you might want to check them out too alongside Shuffle Union, Coffee Break Island, The Marcos Cronies, and many more bands. Even told that Jon (of Neighbors and now of Soundblasters blogsite) will be spinning some tunes as well. Tonight, it seems, should be a fun skanking night. See you guys over at Cubao X laters.

Lagare Nights Part 1: Coffee Break Island, Shuffle Union, and Earthlings, Leprechaun Bar, July 10 Friday Night

What can I say?


This gig was by no means a product of massive information dissemination nor was it supported by some megalomaniacal sound system, both of which oftentimes are very crucial ingredients to the success of a gig. No big stars here, though CBI and Shuffle Union by now are respected names in their own circuits and Earthlings are beginning to carve their niche as well. But it has been a very very good night, in spite of the usual hitches.

Some members of Shuffle Union and Earthlings were sick and as such Jun and Raffy of CBI pitched in. Mae, January, and JR of Shuffle Union jammed with CBI, and the audience was either drinking or dancing or both. And just when everyone thought that the music had ended, JR and Paul of CBI (aka Pineapple Jam) took the stage and did acoustic renditions of The Jam's "That's Entertainment" and a few more songs. I could have sworn that this gig was a home party where everyone is welcome to crash right in and join in the fun, except that the Leprechaun sign was glaring in front of the place, a reminder that we were not in a house but in a bar.

Photos here (above photo: Earthlings):

Earthlings: Smiling sheepishly


Sibling act: Jan, JR and Dagul of Shuffle Union

The belter: Mae of Shuffle Union

Shuffle Union with Jun of CBI on drums

Raindance, Paul stylee

Raindance during CBI's set

Shuffle and CBI jammed together

Pineapple Jam!!!

It was a cool night, all things taken. Sometimes all it takes, in the absence of the usual things we obsess about to come up with a great gig, is one that is lacking in most gigs: GOOD VIBES.