This Show Went Off, Indeed! T.S.A. At Hades Bar, February 12, 2011

Back in February of 2010 T.S.A. was in town to play a one-off gig and launch their CD called Back To Kindergarten. As most of you may have already known, this is generally an album of covers, mostly well-loved Pinoy punk and hardcore tunes circa Twisted Red Cross and beyond. T.S.A. paid homage to their punk idols with this outing, and personally I think theirs is one of the best local cover albums in recent history.

Fast forward to 2011.

The Singapore-based T.S.A. had returned for a brief visit, as it is becoming to be their habit every Chinese New Year. The Bulakenyo lads played to a smoldering filled-up venue aptly called Hades Bar at Quezon City (yes yes I know what you guys are thinking, and the answer is yes), supported by some of the very people that they have paid homage to in their recent album.

It is a night replete with booze, ghost scares (LOL!), memorable songs, body slams, and the all-too-familiar old school vibe. I missed the gig last time and so I made sure I attended this one, even enlisting my minute help to Bisikleta Productions' Hilboy just so I will not have any reason to miss out on this event.

Al Dimalanta to a frenzied crowd: you were here, yes? Yes?!

So the story and insights.

Mean mean Jun Idiot

With Hard K

Jun Idiot had two sets, one with  The Imbeciles (hahah :P), the other with Hard K. I have to say that Jun has always been an acquired taste, but for me, and for many people who grew up listening to George Imbecile and The Idiots, and later on, Hard K, Jun Idiot will always be Jun Idiot: brash, loud, can rip the flesh off your bones in his meanest, and yet with a heart. Age may have added to his frame, but the attitude remains, and for that he will always be one of the prominent figures of Pinoy Punk.

Against man negotiates with the punks

Against Man are younger than the rest of the bands that supported T.S.A., but their collective mindset belies their age. I have always liked them for their low-key easy-going nature and their musicality. Will an album be ever out?

Always awesome: Tame The Tikbalang

Orgasm donor^^

Russell!!!!!!

Tame The Tikbalang has always been fierce, and the wild response from the audience reaction is always to be expected. Russell Eustaquio has been and will always be cool in my book (goes way back in the university), and this may sound biased and such, but well, the heck. Forever shall be, Russ. ^^

Al and his "men" :P

"Putang-ina, tatlong lalaki na ang humahalik sa akin ngayong gabi!" (Ugh, hahah am not gonna translate this :P)

That's Al Dimalanta shouting over the microphone after one overjoyed punk after another went up to him and gave him a hug and a kiss. The performance of Al Dimalanta, backed up by the boys of T.S.A.and referred to in jest as Al D and the Architects, has got to be one of the highest points of the night. Seems like Al has yet some tricks up his sleeves for us to marvel at this year. You can never put an angrily creative - or creatively angry? - man down, really.

Buddy and Betrayed: Good to see you again

Yes, Betrayed also played. Yes it is so good to see Buddy Trinidad play after all these years. Yes the set is so familiar, having listened to it so many times. Much as I try not to wax sentimental about Betrayed (because I am, more often than not, UNsentimental), some pangs of stinging memories hit me occasionally during their set. How many times did I see them play, practice in recent times? Originals like Ain't Gonna Fight For You, Betrayed By You, Never Meant To Be This Way, and covers like Babylon's Burning, New Rose and Big Deal are the very tunes that I hear being practiced on a bass guitar within hearing distance in the house where I live in, up until now, not so long ago. [And yet it feels like a lightyear away....]

Pleasant surprise: The GoSignals

And, woooh, The GoSignals came over for a surprise visit. Again, the question begs to be answered: when is the album coming out? Or is it out? Mel, out with it, man. :)

Ojie and Bimboi, T.S.A.

Pedro and Ojie, T.S.A.

Ojie, T.S.A.

Then, of course, T.S.A. The star of the night. The level-headed guys who have represented the local punk scene in Asia and beyond on a good number of occasions. Bimboi. Ojie, and Pedro have created a mark of their own in the Pinoy Punk scene, a path that is definitely less taken. The support that was given them by the pillars of Pinoy Punk during this gig, and in their past ones as well, is more than enough proof that T.S.A. has carved their own spot in the sun.

To T.S.A., all my respect, admiration, and support. Til we meet again. (Thanks by the way for the sisig, peanuts and beer and other things, burp. :P)

LOL LOL

See you again at the gigs y'all.

MY TOP 5 ALBUMS OF 2010

HAPPY NEW YEAR EVERYONE!

I have made the resolution of keeping this blog updated. So here I am, off to another fresh start. I know I promised you a list, didn't I? Well here it is.

My Top 5 Albums of 2010.

The truth is, I wrote this post in early December. Before posting this article, I just had to make sure that this did not appear elsewhere. Having confirmed this yesterday, I now post where I think this article should be most appropriate: HERE. JUST HERE.

Please read on, and tell me what you think.

My Top 5 Albums for 2010

Selecting my Top 5 for this year has been trickier than difficult. I can easily spew out titles of albums whose songs stuck to memory and made an impression, but the process is trying, to say to the least. One of the things that I loathe doing is to leave out equally deserving works. There are clearly many bands worth a listen whose works remain lurking in blog sites, unearthed only by a few persistent music lovers who are on a constant quest for novel stuff.

My choice is definitely reflective of the year that has been. But shouldn’t music serve to be reflective of the times? My list is made up entirely of Pinoy artists: all have been around for quite sometime (the youngest of them being Goodleaf). Their albums contain songs that bespeak of the political and economic times: the turn-over of political power, the society’s persistent ills, and such. It is almost like reading the editorial section of the newspaper.

So here is my list.

1. “Believe” – Throw

Throw, as every self-respecting punk and underground music scenester may have known by now, is a powerhouse band made up of Al Dimalanta, Dennis Maniego, and son Spyk. This album came out in January, paying tribute to late hardcore luminaries Jay Dimalanta (Dead Ends), Luis Guiang (G.I. and the Idiots, Put3Ska), and Je Bautista (Betrayed, Music Front, Beatdown Boombox). Albert Ascona of The Beauty of Doubt and Bad Omen played guitars on this one. This album is definitely a group effort and not an Al Dimalanta show at all, which I feel is what Al had been quite conscious about throughout Throw’s existence. The title track and “Choose” (which happens to be my favorite), for instance, are written by Spyk and Al: both songs are riveting melodic paeans of hope and of deciding wisely. This one is probably Throw’s more melodic outputs.

2. “’Wag Kalimutan Ang Ingay” – Throw

Sadly, Throw disbanded last month after ten years in the hardcore scene. While Al has assured that he will continue with the acoustic gigs, I will certainly miss Throw. The band left us with this effort, “’Wag Kalimutan Ang Ingay”, dedicated to the memory of Al’s parents Ernesto and Ophelia (who both passed away this year) and his brother Jay. For this album, Against Man guitarist Alan Roldan plays for the band.“’Wag Kalimutan…” is clearly angrier than its predecessor, a reaction to the recent political changes. My favorite track will have to be “Karapatan”, which is part spoken word and all aggression that has always been Al’s trademark.

3. “ No Hero” – Coffee Break Island

Coffee Break Island is one of the most hardworking bands around. “No Hero” is their long-overdue sophomore album. While there is no clear stand-out song in the mold of their very popular song “Party Song”, the tracks are more cohesive. CBI is just as politicized in their own way, if you manage to get past the strong groove of their songs and give the lyrics a listen. I like “No Hero” and “Walang Hanggan”

4. “Dubpilipinas” – Goodleaf

Their gigs do not come all too often, leaving a good number of people wondering what exactly these guys play, except for the genre generally termed dub. People who have seen this band perform live swear that they know their dub pretty well and that they are able to incorporate numerous musical elements in their works. Goodleaf has, finally, come up with an album that showcases their skills. Listen to the title track, “Digital Roots”, and “Solusyon Ka Ba o Problema?”

5.  “Back To Kindergarten” – T.S.A.

T.S.A. is a bunch of Bulacan kids who grew up playing hardcore. All three members are now in Singapore, continuing to wreck hardcore havoc on our Southeast Asian friends who seem more pleased that offended about this fact. Ojie, Bimboi, and Pedro, as far as I know, have long been raring to make a tribute album, their own interpretation of punk and hardcore tunes that have largely influenced them. The body count can easily be guessed: Dead Ends, Urban Bandits, Betrayed, R.D.A...mostly from the Twisted Red Cross era. Some may have criticized their album as “too clean”: maybe so, but it is not a problem with me as we speak of eras that are decades and technologies apart. My favorite may well be reflective of my bias towards the band that they have covered, in this case: Urban Bandits’ “Hoy!”

I know that I have missed a lot, as my disclaimer states. Either I did not get to hear them yet (like Juan Isip's new EP) or I just ran out of slots.  There are bands whose works I await (calling The GoSigmals, Tsunami Tsunami ... ) and more bands to unearth. It is all a learning experience, and all we have to do is open our ears and minds.




Next in the list of items to update is the playlist. I will get back to you really soon. To keep you company in the meantime is a video from Coffee Break Island's second album launch called "Walang Hanggan".

Thoughts On An Incomplete Rainy Tuesday: Incomplete 2, Route 196, June 1, 2010

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pool singing at night,
And wild plum trees in tremulous white;

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself when she woke at dawn
Would scarcely know that we were gone.

- Sara Teasdale, "There Will Come Soft Rains"

Perhaps the end is indeed near. The weather has gone way haywire. Hot and dry to hot and wet. Temperature reaching 40 degrees Celsius. Then suddenly, acid rain. I thought of Sara Teasdale's apocalyptic poem, written way back 1920, as I was lingering on the sidewalk fronting Route 196, the site of the Incomplete Part 2 gig, last Tuesday, June 1, 2010.

How would you like to go, supposing that the red Tuesday night sky fall on you right that moment? My mind was playing morbid tricks on me. To this question I had a quick and equally morbid answer: I would like to go with a smile. (Pasintabi kay Joker, I borrowed that line from him. Hahah.)

I was in the right place, if that is the case.

It was a warm and pleasant night. And it was not just an acoustic night, for the gig featured the frontmen of some of the most prominent bands in the underground scene (Throw, The GoSignals, Shuffle Union, Coffee Break Island, Shoulder State, SDK). In spite of the rains, people came in, most of them arriving towards the middle of the show. Francis Aguilar opened the show and did the hosting chores. Albert Ascona came next, followed by Al Dimalanta, who played four songs despite the coughs and colds. (Tenacious!) Rio Vargas did a charismatic set, after which Mel and Dennis Maniego of The GoSignals provided the crowd with their brand of mod. Mae of Shuffle Union placed the audience on a trance with her magical voice, while Paul of Coffee Break Island was Mae's perfect foil, his raspy voice tearing the damp early morning air apart.

Jonas Pares (or fondly called Alkaline Duo, which is none other than Kyle and Spyk of SDK) played as well, taking over the slot of Arnold Morales who was not able to make it that night.

[Route 196, like Ten02 Bar, serves good food. I just have to say this.]

Oh, ok. Obviously, the end of the world has not come yet. The apocalypse can wait another day. But never mind. I still went home with a smile on my face.

Francis Aguilar: Lou Reed-esque

Albert Ascona puts the "A" in emo :)

Al Dimalanta: Sticks and stones can't hurt my voice. Yay!

Rio Vargas: hoping to see more of him in the days to come

Their bird can sing: Dennis and Mel Maniego of The GoSignals

Mod toujours: Mel Maniego

Alkaline duo, yeah: Kyle and Spyk

Mae of Shuffle Union: the voice that has enchanted the ska scene for years

Hannah, ska scene's talented photographer

Paul Puti-an: that alcohol-fueled voice of his is simply awesome

More on this slide show:

****

Wow gigs!

Check out the siderail for upcoming gigs. Keb Darge is, finally, here in Manila, after being derailed by the nasty ashfall from an Icelandic volcano. He is slated to perform on Friday, June 11, 2010 at Ten02 Bar. Yay! Don't miss out on this one.

BELIEVE: Throw's Third Album Launch (Saturday, 23 January 2010)

If you were present during the launching of the previous album, Unwavering, you may have probably noticed that last Saturday's affair at the Leprechaun Bar was more sober. It is not a bad thing to be one, though. There may be some reasons for it.

Perhaps, one of those reasons is that January 23 also happens to be the birthday of the late Jay Dimalanta, brother to Throw vocalist/guitarist Al and bassist to the legendary punk band Dead Ends. Or maybe the people were just a little tired and spent from the week's travails. Or maybe, wala lang, I think too much, haha.

Sobriety, however, renders little consequence to the sound of Throw's newest album. Believe is not sober, and Throw is definitely a non-complacent band. Al, together with his crew is, and will always, bite, so to say. Their songs hit the midsection always, and takes a constant, painful stab at politics and the society. The album is dedicated to the memory of three local punk luminaries who have passed on to hardcore nirvana: Jay Dimalanta, of course, Luis "Weslu" Guiang, and Je Bautista. Believe, like the other Throw albums, is, contrary to popular thought, a team effort: Spyk co-wrote Choose and Believe (a very strong track), Dennis was credited for penning Eleksyon and Borrowed with Al, and Albert of course wrote Six and co-wrote Warlord and the Zappa-inspired Screw Yourself.

(But hey, why don't you just pick up a copy of the album? I am meaning to write about the gig.)


I got in just in time to see Talk Sick, the Malolos-based hardcore outfit. (Sorry po, Against Man, I like you guys, pero na-late lang ako, di ko kayo napanood.) Talk Sick does not just rip through their set, the band actually groove, if one listens close enough. I made a mental note to play Talk Sick in the playlist sometime soon. They were then followed by Staid, the hardcore band whose members come from groups such as Half The Battle and Choke Cocoi. I personally admire the efforts of these two bands, as well as the rest of those who endeavour to go outside their homebases to play, and the same thing goes to the audience who support the bands wherever they are. It is the best that one can offer to bands who do not, and will likely never, get the support of popular media.

Spyk's young band SDK (with Dennis Maniego as proxy bassist) followed. Not long ago, Spyk was a gangly teener who just smiled as he banged the drumkit. He still smiles, as if playing the drums is a breeze, but he is definitely getting more and more formidable, and is fast turning into a...heartthrob! (Sounds funny? Wait till you see the giggly girls at the sideline whenever he plays.)

Tame The Tikbalang is one band that I really love for its consistency and competence and I am happy that they are still around and continue to play like demons. No obvious signs of aging so far.

It is good that The GoSignals finally started to play their originals on a regular basis. I am paying a close watch on the band's first album release.

Goo played too. It was a blast to see them cover some Descendents. I saw the crowd liven up and sing along, including, of course, Throw guitarist and unabashed Descendents fan Albert Ascona.

Then it was Throw's turn.

What can I say?

If I talk further, it will be my heart talking...

A somewhat sober night indeed, but still great. My heartfelt congratulations to Spyk, Dennis, Albert, and Al.

And the best way to end the launch? Nekbu!

Till the next album launch! Yay! Yay!

Scenes From Throw's Second Album Launch

Unwavering.

This happens to be the title of Throw's second album which was launched last July 12, 2008 at Center For Arts. And what a launch it was! It was an event meant to make everyone ecstatic. Amazing bands. Accessible location. Awesome sound system. A highly receptive crowd. Assorted merch for sale. Most of all, there was Al Dimalanta, who happens to be (as if you do not know by now) Throw's founder/vocalist/guitarist.

Time and again I would find myself raving about the works of this very talented man: his music, his photography, his writings. And the second album is testament to the fact that maturity has not slowed him a bit, and definitely, his well of creativity is full and far from drying up.

The bands:

The GoSignals played first, performing tight covers of The Who and The Jam, plus Private Stock's Future Generation. Mod galore!
Choke Cocoi came next. The first word that entered my mind: earnest. These ladies mean business.

The Beauty of Doubt finally resumes gigging. This band has been missed. Good to see them live once again.

Ronald and Albert of The Beauty Of Doubt: amusement written all over their faces.

Arnold Morales of Music Front hollered "This is the news of the world!" Apt, indeed.

Tame The Tikbalang actually played after Throw. Consistently fierce. The best part of their set? ANGST!Throw played a fantastic set of all-new songs. What can I say?
The crowd:To Spyk, Albert, Dennis and Al, congratulations!